PD Smith

Elective affinity?

28 August 2007 | Brecht, Metaphor & Materiality, My Books, Reviewing, Science & literature | 8 comments

Review­ing Bahr’s Weimar on the Pacif­ic remind­ed me of my own research on Brecht’s won­der­ful play about sci­ence in the atom­ic age, Life of Galileo. As well as form­ing a chap­ter in my book Metaphor & Mate­ri­al­i­ty, I explored Brecht’s use of sci­ence in a long arti­cle for Prometheus mag­a­zine. As this has nev­er been put online in its entire­ty, I thought I would make it avail­able.

Elec­tive Affin­i­ty: A Tale of Two Cul­tures?” tries to move beyond the rather tired idea that there are two opposed cul­tures — the arts and the sci­ences. Using a num­ber of impor­tant texts from the nine­teenth to the twen­ti­eth cen­tu­ry, I try to show how lit­er­ary writ­ers have engaged with sci­ence. Sci­en­tists and writ­ers are indeed lis­ten­ing to each oth­er; and some are even talk­ing the same lan­guage…

I’d be very inter­est­ed to hear what peo­ple think about the books I dis­cuss, and of any oth­ers you know which deserve to be men­tioned.

8 comments so far:

  1. LiteraryMinded | 28 August 2007

    Such a won­der­ful arti­cle.

    ‘For Pri­mo Levi and many oth­er writ­ers, sci­ence does indeed allow us to – in the words of Dawkins – ‘hear the galax­ies sing’.’

    Tonight I sat on my bal­cony and watched a lunar eclipse. My poet­ic mind was switched on by the rare rich­ness of the blood moon. I had a sud­den moment, when I remem­bered it was our shad­ow, the earth col­lect­ed. And I had a sense of ver­ti­go. I was just a tiny speck on the spin­ning ball, tied to the earth by grav­i­ty. And the incred­i­ble thing was that I knew this.
    I also felt the align­ment. Sun — earth — moon. Being at the heart of it, con­nect­ed by invis­i­ble forces. An affin­i­ty.

    We are now bound by knowl­edge, but are still inspired on by curios­i­ty. We hunger for answers and , as you explore in your writ­ing, we also seek the rea­sons behind our curios­i­ty — in the arts.

    Thanks again for a great read. I have fin­ished ‘Dooms­day Men’ and loved it (review forth­com­ing) 🙂 Angela

  2. PD Smith | 28 August 2007

    Many thanks for that won­der­ful com­ment, Angela! And I’m real­ly glad to hear you enjoyed my book (phew!). Look for­ward to the review…

  3. David Thorpe | 29 August 2007

    Very good. I’m glad you chose Brecht, a cur­rent­ly under­es­ti­mat­ed writer, probaly not trendy at the moment for obvi­ous rea­sons. JG Bal­lard has writ­ten of how SF is the main lit­er­ary form of the 20th C. I pre­cised his argu­ment and updat­ed it, in an arti­cle here. SF writ­ers need to be aware of how sci­ence works, but don’t need to be ham­strung by this. The main chal­lenge is to get the pol­i­tics and emo­tion right. Few pre­dic­tions of the future are like­ly to be tech­ni­cal­ly accu­rate, but his­to­ry shows that the most pes­simistic ones are the most like­ly to be social­ly acu­u­rate.…

  4. PD Smith | 29 August 2007

    Thanks for the link to your arti­cle, David — very inter­est­ing indeed. Bal­lard is a huge­ly influ­en­tial writer. I’ve always thought “Crash” in par­tic­u­lar is a quite remark­able book.

    His phrase describ­ing the age of the hydro­gen bomb is also mem­o­rable: the Auschwitz of the soul…

  5. Paul Halpern | 29 August 2007

    I found your arti­cle an intrigu­ing and illus­tra­tive study of the grow­ing inter­play between sci­ence and cul­ture in the past two cen­turies. If one adds Freudi­an psy­chol­o­gy and Dar­win­ism to the mix, along with Lapla­cian deter­min­ism (before the ear­ly 20th cen­tu­ry), rel­a­tiv­i­ty, quan­tum mechan­ics, atom­ic and nuclear physics, chaos the­o­ry, the con­cept of high­er dimensions/parallel his­to­ries and so forth, it is clear that the lan­guage of sci­ence has had an enor­mous influ­ence on mod­ern lit­er­a­ture. Con­verse­ly, as you’ve shown in your work, sci­ence fic­tion and oth­er forms of lit­er­a­ture often antic­i­pate and influ­ence sci­en­tif­ic ideas, and help per­suade sci­en­tists (as in the case of Szi­lard) to con­sid­er the eth­i­cal impli­ca­tions of their dis­cov­er­ies. Your exam­ple of Brecht writ­ing sev­er­al dif­fer­ent ver­sions of the Life of Galileo is reveal­ing in that regard. I would sug­gest the works of Thomas Pyn­chon, Umber­to Eco, James Joyce and Alan Light­man (Ein­stein’s Dreams) as fur­ther exam­ples of the 20th cen­tu­ry sym­bio­sis of sci­ence and lit­er­a­ture.

  6. PD Smith | 29 August 2007

    Yes, you’re so right, Paul: those four writ­ers are key. Light­man’s book on rel­a­tiv­i­ty is won­der­ful — a lit­er­ary thought exper­i­ment! And I’m a great fan of Eco too. ‘Fou­cault’s Pen­du­lum’ was fas­ci­nat­ing.

    Some­one on 3quarksdaily.com (which has post­ed a link to my arti­cle) has right­ly sug­gest­ed Borges’ ‘Gar­den of Fork­ing Paths’ — one of your favourites too, I believe?

  7. Paul Halpern | 29 August 2007

    Yes, there are worlds of won­der­ful sci­en­tif­ic ideas in the works of Jorge Luis Borges. It is amaz­ing how “The Gar­den of Fork­ing Paths,” pub­lished in 1941, so bril­liant­ly antic­i­pat­ed the path inte­gral for­mu­la­tion of quan­tum mechan­ics, pro­posed by Richard Feyn­man in 1948, also known as the sum over mul­ti­ple his­to­ries, as well as Hugh Everett’s 1957 “Many Worlds Inter­pre­ta­tion.” (The dif­fer­ence between Feyn­man’s and Everett’s ideas is that the for­mer is meant as a kind of math­e­mat­i­cal short­hand, almost uni­ver­sal­ly accept­ed, while the lat­ter rep­re­sents an actu­al branch­ing of real­i­ty into par­al­lel uni­vers­es, much more con­tro­ver­sial.)

    I once inter­viewed Prince­ton physi­cist John Wheel­er, Feyn­man’s and Everett’s super­vi­sor, and a friend of Ein­stein’s, who described ask­ing Ein­stein (in 1948) his opin­ion about mul­ti­ple his­to­ries. Accord­ing to Wheel­er, Ein­stein was not impressed. “I still can’t believe that the good Lord plays dice,” Ein­stein told Wheel­er. “Maybe I have earned the right to make my mis­takes.”

    Wheel­er, by the way, who just cel­e­brat­ed his 96th birth­day in July, has encour­aged the poetic/philosophical approach toward physics, per­haps more than any oth­er con­tem­po­rary fig­ure. He is tru­ly a remark­able physi­cist, who rep­re­sents a liv­ing link between the worlds of Niels Bohr (with whom he col­lab­o­rat­ed) and many impor­tant present-day physi­cists.

  8. PD Smith | 29 August 2007

    I thought you’d have some­thing fas­ci­nat­ing to say about that, Paul — so thank you for not dis­ap­point­ing me!

    I think you should do a blog about this — let me know if you do (per­haps you already have done so?) — and I’ll post the link to it here…

    As regards Ein­stein’s dice com­ment, I rather like Stephen Hawk­ing’s reply: “God not only plays dice, but some­times throws them where they can­not be seen.”