PD Smith

Masters of rock

07 October 2007 | pop science, Reviewing, Science & literature

I’ve just reviewed a great pop­u­lar­iza­tion of geol­o­gy — Super­con­ti­nent: Ten Bil­lion Years in the Life of Our Plan­et by Ted Nield. Here’s the first para­graph:

“Charles Dodg­son (aka Lewis Car­roll) grew up in Ripon, a part of York­shire blessed with a unique but rather alarm­ing geol­o­gy. Deep ver­ti­cal pits are liable to appear with­out warn­ing in the ground, swal­low­ing up homes and gar­dens in sec­onds. It is quite pos­si­ble that the mem­o­ry of these holes inspired Alice’s fic­tion­al fall ‘down, down, down’ the seem­ing­ly bot­tom­less rab­bit hole. After all, as Ted Nield points out, Car­rol­l’s fan­ta­sy was orig­i­nal­ly titled Alice’s Adven­tures Under Ground. But Nield­’s real inter­est lies in geol­o­gy, not lit­er­a­ture. Why, he asks, are the rocks of Ripon so prone to sud­den col­lapse? To answer this, you have to dri­ve out of Ripon and head west to the Pen­nines, the back­bone of Eng­land. Grad­u­al­ly the fer­tile fields with their oak trees and hedgerows give way to moor­land from where you can look down across the low­lands to Ripon. If you take a walk up the heath­ery slopes and stand on a rough lump of mill­stone grit, says Nield, ‘you are climb­ing the exhumed topog­ra­phy of Pan­gaea’.”

It’s a fas­ci­nat­ing book and well worth read­ing. My review was in Sat­ur­day’s Guardian and you can read it online here.

Sea-Wind & Stone Gods

30 September 2007 | Reviewing, Science & literature, SF | 8 comments

I’ve just been review­ing Rachel Car­son­’s Under the Sea-Wind (1941) which has been re-print­ed for the cen­ten­ni­al of her birth. It’s a beau­ti­ful­ly writ­ten book explor­ing the life of the sea shore and the ocean. Car­son was a zool­o­gist and her descrip­tions are won­der­ful­ly detailed and evoca­tive: a per­fect com­bi­na­tion of sci­ence and poet­ry.

Here is a pas­sage in which she is describ­ing that mys­te­ri­ous moment when an eel sens­es that it is time to begin the long return jour­ney to the Sar­gas­so Sea to spawn:

“Now it was autumn again, and the water was chill­ing to the cold rains shed off the hard back­bones of the hills. A strange restive­ness was grow­ing in Anguil­la the eel. For the first time in her adult life, the food hunger was for­got­ten. In its place was a strange, new hunger, form­less and ill-defined. Its dim­ly per­ceived object was a place of warmth and dark­ness — dark­er than the black­est night over Bit­tern Pond. She had known such a place once — in the dim begin­nings of life, before mem­o­ry began. She could not know that the way to it lay beyond the pond out­let over which she had clam­bered ten years before. But many times that night, as the wind and the rain tore at the sur­face film of the pond, Anguil­la was drawn irre­sistibly toward the out­let over which the water was spilling on its jour­ney to the sea. When the cocks were crow­ing in the farm­yard over the hill, salut­ing the third hour of the new day, Anguil­la slipped into the chan­nel spilling down to the stream below and fol­lowed the mov­ing water.”

And while we’re on the sub­ject of sci­ence and great writ­ing, there’s an excel­lent review of Jeanette Win­ter­son­’s nov­el, The Stone Gods, by Ursu­la K Le Guin in the Guardian. I like Win­ter­son­’s writ­ing and I’m look­ing for­ward to read­ing her lat­est one, but I do sym­pa­thise with Le Guin’s crit­i­cism of “lit­er­ary” writ­ers like Win­ter­son who (appar­ent­ly) makes it plain that she hates sci­ence fic­tion “even as she open­ly com­mits genre” — the nov­el is part­ly set in a pol­lut­ed future world and in “Wreck City”, all that remains after an apoc­a­lyp­tic Third World War.

“I am both­ered,” writes Le Guin, “by the curi­ous ingrat­i­tude of authors who exploit a com­mon fund of imagery while pre­tend­ing to have noth­ing to do with the fel­low-authors who cre­at­ed it and left it open to all who want to use it. A lit­tle return gen­eros­i­ty would hard­ly come amiss.”

Ouch!

Spy left out in the cold

23 September 2007 | atomic bomb, Doomsday Men, Hahn, Heisenberg, Rosbaud, Science, spies, WW2

MI6, Hitler’s atom­ic bomb project and Cherie Booth QC — it was a potent mix­ture that was guar­an­teed to make head­lines. The Guardian’s was: “Spy left out in the cold: how MI6 buried hero­ic exploits of agent Grif­fin”.

Paul Ros­baud was a physi­cist and the edi­tor of the sci­en­tif­ic jour­nal Die Natur­wis­senschaften. Ros­baud encour­aged Otto Hahn to pub­lish the news of the fis­sion of ura­ni­um in Jan­u­ary 1939 thus ensur­ing that this break­through was shared with sci­en­tists around the world. He was friends with Ger­many’s top atom­ic physi­cists through­out the war and was there­fore well placed to keep the British intel­li­gence ser­vice briefed on Ger­man progress towards an atom­ic bomb. For Ros­baud was an MI6 agent, code­named Grif­fin.

Now his nephew — rep­re­sent­ed by Ms Booth, wife of the for­mer prime min­is­ter — is try­ing to force the secu­ri­ty ser­vices to declas­si­fy all its files on Ros­baud so the full sto­ry can be told. And this is one sto­ry that will cer­tain­ly be worth read­ing.

You can get a flavour of what Ros­baud was like from this remark­able pas­sage from Paul Lawrence Rose’s excel­lent book Heisen­berg and the Nazi Atom­ic Bomb Project: A Study in Ger­man Cul­ture (U of Cal­i­for­nia P, 1998):

“Dur­ing the war Ros­baud had real­ized per­fect­ly well how Heisenberg’s self-serv­ing moral sophistry was shared by his col­leagues on the ura­ni­um project. A few days after the big Speer-Heisen­berg meet­ing at Har­nack-Haus in June 1942, the sci­en­tists learned of Speer’s deci­sion not to press ahead with the bomb project. One evening at Restau­rant Ori­ent, on Fasa­nen­strasse near the Kur­fürs­ten­damm, a group of twelve physi­cists were pro­fess­ing their moral relief at not hav­ing to devel­op a bomb. A rather intox­i­cat­ed Ros­baud was final­ly pro­voked by the cant he was hear­ing to shout out: ‘If any one of you knew how to make the bomb, he would not hes­i­tate a minute and tell your Führer how to destroy the rest of the world in order to get the high­est order of the Iron Cross.’ Ros­baud admits ‘they were decent enough not to denounce me after this, but my remark was fol­lowed by [icy silence].’ The stunned sci­en­tists, evi­dent­ly fright­ened that Ros­baud might be an agent provo­ca­teur who would report their reac­tions to the Gestapo, quick­ly split up and van­ished. But, of course, Ros­baud had hit both nails on the head – the first, that their advice to Speer stemmed from tech­ni­cal igno­rance about how to build a bomb, and the sec­ond, that their mor­al­iz­ing was emp­ty cant.”

The legal hear­ing is set to con­tin­ue. Per­son­al­ly I hope Ros­baud’s nephew is suc­cess­ful.

Hippocratic oath for scientists?

20 September 2007 | atomic bomb, Brecht, H-bomb, Rotblat, Science, Soddy | 7 comments

I was very inter­est­ed to hear that the British gov­ern­men­t’s chief sci­en­tif­ic advi­sor, Pro­fes­sor Sir David King, has set out a uni­ver­sal eth­i­cal code for sci­en­tists. As well as assert­ing the impor­tance of hon­esty, integri­ty and respon­si­ble com­mu­ni­ca­tion, it also calls upon sci­en­tists to “Min­imise and jus­ti­fy any adverse effect your work may have on peo­ple, ani­mals and the nat­ur­al envi­ron­ment”.

Bertolt Brecht includ­ed the idea of a Hip­po­crat­ic oath for sci­en­tists in the penul­ti­mate scene of his play Life of Galileo. The idea of an oath that com­mit­ted sci­en­tists to using their knowl­edge sole­ly for the ben­e­fit of human­i­ty occurred to him before the atom­ic bombs were dropped on Japan. But it was only after the hydro­gen bomb was devel­oped that this idea was incor­po­rat­ed into the 1955 ver­sion of the play.

By then oth­ers, includ­ing Ruther­ford’s co-work­er on radioac­tiv­ty at the dawn of the atom­ic age, Fred­er­ick Sod­dy, had pub­licly called for sci­en­tists to take such a Hip­po­crat­ic oath. In 1969 philoso­pher Karl Pop­per would fol­low suit, as did physi­cist and peace cam­paign­er Joseph Rot­blat, who had tak­en the coura­geous deci­sion to leave Los Alam­os as soon as it became clear that Ger­many was inca­pable of devel­op­ing an atom­ic bomb.

David King’s eth­i­cal code does­n’t go as far as Brecht would have liked. But it’s a step in the right direc­tion. For, as Rot­blat has right­ly said, “a sci­en­tist is a human being first, and a sci­en­tist sec­ond”.

You can read reports on the eth­i­cal code on the British Asso­ci­a­tion site and BBC News.

WILL Radio: The Afternoon Magazine

14 September 2007 | atomic bomb, Doomsday Machine, Doomsday Men, H-bomb, Haber, Kahn, Szilard, WW2 | 7 comments

Bill Ham­mack of WILL Radio’s ‘The After­noon Mag­a­zine’ has inter­viewed me about Dooms­day Men. It was a wide-rang­ing dis­cus­sion last­ing 45 min­utes, with calls from lis­ten­ers in the US — I’ve nev­er been on a phone-in before so this was an inter­est­ing expe­ri­ence! We talked about Leo Szi­lard, Edward Teller, Her­man Kahn, Fritz Haber, and the Dooms­day Machine, which seems to have been pro­vok­ing some com­ment state­side recent­ly (e.g. Slate, Wired, Ques­tion Tech­nol­o­gy).

You can lis­ten to the inter­view here (MP3).

By the way, if you can read Ger­man, there’s also an inter­est­ing arti­cle about my book and the Sovi­et “Dooms­day Machine”, Perimetr, on Tele­po­lis.