PD Smith

Strange Horizons — Conversation with Darran Anderson

28 June 2016 | cities, City

I’ve been talk­ing to Dar­ran Ander­son, author of the remark­able Imag­i­nary Cities, at Strange Hori­zons. It was great fun! Hope you enjoy it too.

Read the con­ver­sa­tion here.

A Burglar’s Guide to the City

25 June 2016 | architecture, cities, Reviewing

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I’ve just reviewed Geoff Man­augh­’s new book, A Bur­glar’s Guide to the City, for the Guardian.

Here’s a pas­sage from my review:

Bur­glary, Man­augh writes, is “topol­o­gy pur­sued by oth­er means: a new sci­ence of the city, pro­ceed­ing by way of short­cuts, splices and worm­holes”. Bur­glars don’t see the city we see. They see a city full of vul­ner­a­bil­i­ties to be used for break­ing and enter­ing. They see lift shafts that can be shim­mied up, ther­mal cam­eras that can be dis­abled with hair spray, and doors that can be eas­i­ly opened with lock­picks. They see plas­ter-board walls that can be cut through in an instant with the right tool: “like clouds, apart­ment walls are most­ly air”. Accord­ing to Man­augh, bur­glars under­stand the archi­tec­ture of the city bet­ter than any­one. They are the “dark wiz­ards of cities and build­ings, unlim­it­ed by laws that hold the rest of us in”.

The book is full of won­der­ful anec­dotes and insights, both into archi­tec­ture and the city. If, like me, you’re a fan of Geof­f’s web­site then you’ll love this book. It offers a delight­ful­ly play­ful and sub­ver­sive view of the built envi­ron­ment, fizzing with ideas and new ways of look­ing at the spaces we inhab­it. Read the review here and I hope you enjoy the book.

London Fog

30 November 2015 | cities, London, Reviewing

Did you know that Her­man Melville was the first to com­pare London’s fog to pea soup, in 1849? No, I did­n’t either. I found this in Chris­tine Cor­ton’s bril­liant new his­to­ry of the Big Smoke — Lon­don Fog. It was­n’t just a prob­lem in the nine­teenth cen­tu­ry either. In the eigh­teenth cen­tu­ry Joseph Haydn, who was liv­ing in Great Pul­teney Street, com­plained: “There was a fog so thick that one might have spread it on bread. In order to write I had to light a can­dle as ear­ly as 11 o’clock.”

But the fogs of the mid­dle of the nine­teenth cen­tu­ry were espe­cial­ly thick, thick­er even than Melville’s pea soup “of a gam­boge colour”. Thomas Miller, a writer, said “it is some­thing like being imbed­ded in a dilu­tion of yel­low peas-pud­ding, just thick enough to get through it with­out being whol­ly choked or com­plete­ly suf­fo­cat­ed. You can see through the yard of it which, at the next stride, you are doomed to swal­low, and that is all.”

It’s thick­ness and over­pow­er­ing smell of car­bon and sul­phur gave it the almost tan­gi­ble den­si­ty of food. HV Mor­ton, in The Heart of Lon­don (1925), sug­gest­ed that the city’s fog even had a local taste: “The fog has a flavour. Many flavours. At Mar­ble Arch I meet a del­i­cate after-taste like mel­on; at Ludgate Hill I taste coke.”

Bob Hope, the Lon­don-born come­di­an, con­tin­ued the food theme, jok­ing that Cal­i­forn­ian smog was “fog with the vit­a­mins removed”. By the way, inter­est­ing­ly Cor­ton notes that the word “smog” was nev­er real­ly used at the time to describe Lon­don’s fog and was only used in ret­ro­spect.

Any­way, I enjoyed Cor­ton’s high­ly orig­i­nal study immense­ly. You can read my review of it on the Guardian’s site.

Writers in Sussex revisited

02 November 2015 | My Books, photography, Writers in Sussex | One comment

While writ­ing my mother’s eulo­gy a few months ago, I real­ized that this year is the thir­ti­eth anniver­sary of the pub­li­ca­tion of my father’s book, Writ­ers in Sus­sex.

Sad­ly Bernard died at the end of 2005, but it was a won­der­ful expe­ri­ence work­ing with him on the book, one I’ll always remem­ber. I had just fin­ished a pho­tog­ra­phy course and he was look­ing for a project to occu­py him dur­ing his ear­ly retire­ment. Togeth­er we hatched a plan for a book that would allow us to explore the beau­ti­ful coun­ty of Sus­sex. Once we had the green light from the pub­lish­er, we began trav­el­ling across the coun­ty, track­ing down the homes of authors who had lived in Sus­sex.

Edburton, South Downs, Sussex, med qual, copyright PD Smith

While I pho­tographed the hous­es, dad would talk to the own­ers, neigh­bours and any­one else who might have infor­ma­tion about the local lit­er­ary his­to­ry. He often includ­ed their rem­i­nis­cences in the book. And if our painstak­ing research also led us into a pub (in search of infor­ma­tion, natch) then so much the bet­ter.

Lat­er, when I came to write a book of my own, about the ori­gins of atom­ic weapons, it was strange to recall the impres­sive state­ly home, Uppark, where HG Wells’ moth­er was house-keep­er and where her son was allowed to indulge his pas­sion for read­ing in the great library. Imag­ine Wells, the fan­tastist of the future, liv­ing here!

Uppark, HG Wells copy #2

At Bur­pham, a seclud­ed and ancient vil­lage with­in sight of Arun­del cas­tle, we found no less than three hous­es that had once belonged to authors – the homes of Mervyn Peake, John Cow­per Powys and the bee-keep­er and pop­u­lar author Tick­n­er Edwardes. I’ve always loved Peake’s won­der­ful­ly strange writ­ing and illus­tra­tions. The views near Bur­pham across the riv­er to Arun­del Cas­tle are immense­ly evoca­tive of Gor­meng­hast and its bizarre inhab­i­tants. It’s a mag­i­cal part of the world. Peake is buried in Bur­pham church­yard and a line from one of his poems is on his grave: “To live at all is mir­a­cle enough.”

Peake

Recent­ly, I was delight­ed to see that Blake’s Cot­tage had been bought by the Blake Soci­ety and will soon be open to the pub­lic. That would have pleased my dad, as he often took his adult edu­ca­tion stu­dents to see the old flint cot­tage in Fel­pham – “the sweet­est spot on earth”, accord­ing to Blake.

William Blake, Blake's Cottage, Felpham copy

Sad­ly some of the hous­es we pho­tographed have now been demol­ished. Asham House, Bed­ding­ham, where Vir­ginia Woolf lived dur­ing the First World War, has gone. That’s a great shame as it was a beau­ti­ful house. When we vis­it­ed, the air was filled with the sound of ragged crows call­ing to each oth­er across the bare tree tops.

Virginia Woolf, Asham House, Beddingham, website

The brick church of St Cuthbert’s in Hove, where the poet Andrew Young was a min­is­ter from 1920, was demol­ished while we were work­ing on the book. I took a pho­to­graph of Bernard among the ruins. As a young man, my dad had been a poet and he loved Young’s poet­ry.

Andrew Young, St Cuthbert's, Hove copy

They were good days, full of con­ver­sa­tions about writ­ers and walks across rolling down­land, fueled by dark Sus­sex ales – days I’ll nev­er for­get. Thanks dad.

I dare say you can still pick up a sec­ond-hand copy of our book. My pho­tos from the book (and a few extra ones) are most­ly on Flickr. You can also read the fore­word, writ­ten by anoth­er Sus­sex writer, Christo­pher Fry. I’ve uploaded a pdf file of his orig­i­nal text, typed on his 1917 typewriter, here.

If you’ve enjoyed read­ing this, you might be inter­est­ed in anoth­er piece I wrote on the links between place and writ­ing.

Bernard & Trudi on Chanctonbury Ring, Sussex, June 1982, med

Paris

28 October 2015 | Paris, photography

Just back home after a much-need­ed break in Paris. The city of light was more beau­ti­ful than ever in the autumn sun…

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If you get the chance, go to Vic­tor Hugo’s apart­ment on the Place des Vos­ges. Fas­ci­nat­ing in itself, but worth it just for the views of the exquis­ite sev­en­teenth-cen­tu­ry square out­side…

More pho­tos over on Flickr, as ever.

À bientôt…